Butoh: Metamorphic Dance and Global Alchemy

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Evoking images of grotesque beauty, revelling in the seamy underside of human behavior, Buto dance groups such as Sankai Juku and Dai Rakuda-kan have performed to wide critical and popular acclaim, making Buto one of the most influential new forces in the dance world today. The monograph traces the development of Buto from its birth in the bleak post-war landscape of s Japan, and then addresses the question of Buto as a post-modern phenomenon, before going on to examine the influence of traditional Japanese performance on Buto techniques.

The last chapter analyzes a specific dance Niwa - The Garden by Muteki-sha, to show how these techniques are used concretely.

Defyning (Updated: 03/10/19)

Butoh: Metamorphic dance and global alchemy by Sondra Horton Fraleigh This link opens in a new window This link opens in a new window This link opens in a new window. Sondra Fraleigh chronicles the growth of this provocative art form from its mid-century founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications.

Seattle-based collective group for butoh

Through highly descriptive, thoughtful, and emotional prose, Fraleigh traces the transformative alchemy of this metaphoric dance form by studying the international movement inspired by its aesthetic mixtures. While butoh has retained a special identity related to its Japanese background, it also has blossomed into a borderless art with a tolerant and inclusive morphology gaining prominence in a borderless century.

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Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from to Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West.

With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences.

Dancing into Darkness by Sondra Horton Fraleigh This link opens in a new window This link opens in a new window This link opens in a new window. As a student of Zen and butoh, Fraleigh witnesses her own artistic and personal transformation through essays, poems, interviews, and reflections spanning twelve years of study, much of it in Japan. Numerous performance photographs and original calligraphy by Fraleigh's Zen teacher Shodo Akane illuminate her words.

The pieces of Dancing Into Darkness cross boundaries, just as butoh anticipates a growing global amalgamation. Through highly descriptive, thoughtful, and emotional prose, Fraleigh traces the transformative alchemy of this metaphoric dance form by studying the international movement inspired by its aesthetic mixtures.

While butoh has retained a special identity related to its Japanese background, it also has blossomed into a borderless art with a tolerant and inclusive morphology gaining prominence in a borderless century.

Butoh: The Intercultural Embodiment of Opposition – Commodities, Conflict, and Cooperation

Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from to Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West. With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences.

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